Not a lot of information can be found on this massive Daniels recording, but I have to say it’s up there in my top favs to spin and not an easy one to find.
Daniels’ (born in Jacksonville, Florida, 1915) most recognised and popular recording That Old Black Magic is what you’ll find on the A side here. First recorded back in around 1948 for Apollo records (1101), it had quite a few successful releases on Mercury (5721 10″ Shellac where it was released as That Ol’ Black Magic, Mercury 5721×45 7″ 1950, a UK picture sleeve EP and also on Oriele) so it’s is obviously a re-release. On this Liberty release, over a decade later however, we have the almighty Jack Nitzsche reworking the Mercer-Arlen composition, and the production is what you’d expect from this great “Nitzsche era” of recordings. It’s smooth and it’s cool, and the overall sound is far more “hip” than the earlier recordings, but it’s on the flip where the real black magic happens!
Woe Woe Woe is the one you want to drop on this 45, and I’m not sure what really happens here to Daniels, but I can only assume that he was somehow possessed by the devil in that studio session! Maybe it was all the fame and those late nights in Vegas, after all it was 1964, what a place to be! Maybe after all his success with ballads and standards, he wanted to finally just give it all…and he certainly does here, come that short monstrous chorus line. The sax solo here is so, so very slinky and sexy, and I really want to know who is responsible! The percussion is slick, the tempo is dangerous, and the sound is big and nasty! Then adding those sultry, foxy backing vocals…well, it just makes this the most thrilling 2 minutes of soulful rocking R&B you’re likely to ever experience!
As always, I’m keen to find out more about this recording, especially the recording artists! The promo – audition cream copies seems to appear more often than the regular liberty copies, but still not an easy one to get your hands on, and well worth the hunt!