Prolific French ye ye singer Sylvie Vartan, who is actually Bulgarian, really does a nice swinging beat cover of the classic Comin’ Home Baby. Although it was originally recorded by the Bob Dorough Quartet in 1961 on Two Feet in the Gutter (Epic BA 17021) and composed by Ben Tucker (Bailey’s Pianist), it’s the ultra cool and hip Mel Torme version that most people know and love. Bob Dorough of School House Rock Fame added lyrics to the song and the vocal version became a Top 40 hit for the American jazz man, but I find Vartan’s more obscure version which was released in ’63, even more exciting!
Sylvie started her professional singing career while still at school, in her late teens, firstly with the hit song “Panne d’essence” (1961) alongside French rocker Frankie Jordan. Dubbed by journalists as “la collégienne du twist” (the twisting schoolgirl) she quickly started attracting a lot of attention, and it was only a matter of time that this young self confessed jazz/rock n’ roll fanatic, got signed up and began her illustrious recording career. In 1963, Paul Anka offered her “I’m watching”, her first international hit (Japan, Korea) which is the opening B side track of this EP. It’s adorably sweet and quirky with her broken English vocals, and holds a pretty respectful beat! That same year her dreams of being an aspiring actress came true, starring in the movie D’où viens-tu, Johnny? alongside french rock legend Johnny Hallyday, who she toured with in France and ended up marrying in 1965. Six of her thirty-one songs released in 1962/1963 became top 20 European hits and she became the darling of teen magazines and TV, so suffice to say this was an exciting and pivotal moment in her early career!
So back to Ne T’en Vas Pas! The back beat is strong and mean, as it should be, although I do wish it was pushed up in the mix a bit more as with the driving bass (you dj’s will be doing just that on your mixer) and I love the high energy modish Hammond solo. I have to say I always find French female vocal translations of standards or other, so much more attractive and desirable (this is not open for debate!) and Vartan’s approach on this makes it so ultra sexy and worthy! As far as I can tell, it doesn’t look like this recording was ever released on any other 7″ format other than the picture RCA EP. Maybe some foreign presses were released? Not too difficult to find and highly recommended!