Ann Sexton – You’ve Been Gone Too Long
Seventy 7 Records 77-104 US Year 1972
Track 1 – You’ve Been Gone Too Long Track 2 – You’re Letting Me Down Mary Ann Sexton was born In Greenville, South Carolina and was yet another child raised by a family heavily influenced by gospel music (a time it seems when heavenly angels were certainly handing out some great voices to their young followers). Her path was always going to be singing amongst her church choir, but she was also open to talents shows on the side, which by no surprise ,she won more than a few times.
In 1967, Ann had her first recording experience as a featured singer on Elijah and the Ebonies’ I Confess on Gitana (credited as Mary Sexton). A beautiful soul ballad that’s hard to come by, and a track that really demonstrates the beginnings of her talent…a teasing taste of things to come from Sexton. The Ebonies’ Tenor and Alto sax player, Melvin Burton (who gained notoriety as a youth playing for Mosses Dillard), must have shared a certain spark with Ann, falling in love, they married soon after and started their own group, Ann Sexton and the Masters of Soul.
Soon song writer David Lee would discover the dynamic soul group while performing at a club in North Carolina in 1970. He had the small label Impel at the time and had to have them on board, so he penned the ballad You’re Letting Me Down, and also with the coloration of Ann and Melvin, what must be the most incredible soul B side ever…You’ve Been Gone Too Long. I’m not evening going to try and explain the purity and greatness of this track. If you don’t feel it, then there’s nothing I can do to help you…although I’ve never know anyone not to love this track. And the A side is a little monster ballad too.
Now I usually strive with all my might, to sort first pressings whenever I can, but this red Impel 1971 pressing has eluded me for some time. It rarely surfaces around the collectors market although a little while back, a handful did show up briefly. And it is rumored that this was due to a freak find someone was fortunate to discover…a box of mint jukebox 45’s, including a nice handful of these pressings. While they did prove to be way over my budget, maybe it’s a regret I may now have to live with.
The Impel release gave Ann the recognition she needed and soon after, was signed to Nashville’s soul DJ and label owner John Richbourg’s Seventy Seven Records. In 72, this killer double sider was thankfully re-released, (Richbourg must have realised how deserving and worthy these two great compositions would be for his label) but even this first Seventy Seven pressing for Sexton isn’t an easy one to find. There is an alternate label press also, with a later more graphic, brighter label, and while I do believe it is a slightly later press, I’m not sure what the time frame between each pressing is (anyone out there know?)
1972-74 were busy years for Sexton, releasing five 7’s, including the must have You’re Losing Me (penned by Ann and Melvin) flipped with the great You’re Gonna Miss Me. Recording in Nashville and Memphis, she also released her first album Loving You, Loving Me produced by Lee and Richbourg (Ann and Melvin penned six of the songs)….to this day, a much sorted LP.
1977 saw the release of Ann’s 2nd studio album The Beginnings (Sound Stage 7)… now a classic album with some beautiful ballads like Be Serious and I Want To Be Loved, but it also included the very danceable You Can’t Lose With The Stuff I Use and the soulie I Had A Fight With Love. Unfortunately there was only one single release from the album, I’m His Wife.
After her second album, Ann decided to leave the music industry and relocate to New York. Looking to escape the stressful politics of the music industry, she embraced a career change. Her desire to help the community inspired her to become a school teacher.
I am pleased to report that today, Sexton has been rediscovered, and due to popular demand, she is now on the occasion performing back on the stage, where she can once again share that incredibly beautiful voice. But I believe Ann has never needed a stage to shine, she has warmed many turntables and dance floors around the world for many years, whether she has been aware of it or not.
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